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             Digitizing The Record Industry  
              Retail Realities & the Road to Profits  
              By The G-Man,   
             
              
            
  
            
 
              
                
                  
                    MusicDish Network Sponsor 
                     
                  
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            If you're young enough, all you know is digital music. Forget about 
            records. Or vinyl. Or eight-tracks. Or even cassettes. To these people, 
            the brouhaha over digital rights management and pay-per-download models 
            seems silly. And the changeover from physical products to sound files 
            isn't even an issue for them. 
            Yet there is a multibillion-dollar business that is 
              turning itself inside-out because of computerized data-capture of 
              sonics (or whatever the new buzzwords may be to describe how machines 
              glom onto sounds and let humans share them). 
             People On The Inside 
             The National Association of Record Industry Professionals 
              (NARIP) assembled a panel of experts on March 30th who live and 
              breathe digital retailing of music. Brad Duea is President 
              of Roxio's Napster ("the new Napster"). Kevin Ertell is Vice 
              President of Online Operations for Tower Records. David Micko 
              has the coolest title: Innovation Evangelist, Consumer Technology 
              and Strategic Services for Best Buy. And Mark Tindle is Sr. 
              VP and West Coast General Manager for Nielsen Music (which includes 
              Nielsen SoundScan and Nielsen Broadcast Data Systems). 
             The panelists were in-the-know and willing to share 
              their insights, yet there was an air of tension that began building 
              after the first few minutes of the discussion. Why? Well, because 
              of the focus of the panel on retail, both brick-and-mortar and digital 
              distribution. We're talking paying customers here. (But remember 
              that the tension is building -- more on this in a moment.) 
             Some highlights: 
             * Napster's Duea, extremely upbeat about the new technologies 
              that are seemingly introduced every week, noted that their online 
              sales were actually "in line with traditional physical sales." In 
              addition to moving singles and albums, Napster is licensing its 
              name and in some cases helping to market a large line of products, 
              everything from blank recording media to prepaid phone cards. 
             * Tower's Ertell reflects the optimism of many who 
              look forward to even more exciting changes in the industry. "Global 
              sales are growing," he notes, and points out that price points for 
              singles, albums, and "hot tracks" vs. back-catalog items have yet 
              to be determined. He also identified an interesting trend, that 
              %19 of digital sales are classical, which represents substantial 
              growth. 
             * Best Buy's Micko echoed the optimism (redoubled 
              it, actually) by pointing out that "Technologically, we're close 
              to the celestial jukebox... the technology is there," he said, but 
              added "whether there's a business model that works is another question." 
              On the other hand, he notes that the old-fashioned large record 
              company business model "cannot exist" any longer. He drew appreciative 
              laughter when answering NARIP President and panel moderator Tess 
              Taylor's question about the profits that retailers achieve by selling 
              prime shelf space: "Shelf space allotment is like crack cocaine 
              to Best Buy," he said. 
             * Nielsen's Tindle drew the biggest laugh of the evening 
              when he followed the comments about the feasibility of the celestial 
              jukebox by saying, "I just want a cell phone that works in Cahuenga 
              Pass." The nature of his business is to observe and measure consumer 
              buying patterns, so his view that the record industry business is 
              "still being driven by physical sales" was surprising to some. "There 
              were 2.1 million paid downloads of music last week," he said. "It's 
              growing, but the overall sales are still relatively small." According 
              to him and to Nielsen SoundScan figures, there have been more than 
              25 million legitimate PAID digital downloads in the first quarter 
              of 2004. 
             The Dam Bursts 
             Somewhere around this moment, the tension had built 
              up to a point of no return. It was only a question of who would 
              speak first. It was Dave Adelson, Managing Editor of HITS magazine 
              and E! Entertainment reporter who finally acknowledged what was 
              on everybody's mind... 
             "You haven't addressed the issue of peer-to-peer music 
              distribution," he pointed out. "You talk about 2.1 million paid 
              downloads, but there are literally 10 billion P-to-P downloads going 
              on." 
             "You mean stealing," said attorney Susan Rabin. "You 
              tell 'em, Dave," said several people, and the packed ballroom was 
              suddenly quite noisy. 
             Taylor let the points be made and then firmly guided 
              the discussion back to the topic of "retail, which means legal sales." 
             The Real Bottom Line 
             With a wonderful mix of ideas, questions, predictions, 
              and suggestions about the future of music distribution in a computerized 
              era, the "Digitizing the Record Industry" panel was a hit. 
              Provided 
              by the MusicDish 
              Network. Copyright © Tag 
              It 2004 - Republished with Permission 
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